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Keywords in Subversive Film / Media Aesthetics
ISBN/GTIN

Keywords in Subversive Film / Media Aesthetics

E-bookEPUBDRM AdobeE-book
Ranking125826inKunst
CHF26.00

Description

Keywords in Subversive Film/Media Aesthetics offers an exciting conversational journey through the overlying terrains of politically engaged art and artistically engaged politics. At once scholarly and entertaining, the book combines a major statement on subversive aesthetics, a survey of radical film strategies, and a comprehensive lexicon of concepts.

Keywords defines, creates, and illustrates over a thousand terms and concept, drawing its examples from a wide range of media. Moving beyond political modernism, the book dramatically expands the definition of political cinema at a time when radical film might not mean a feature or a documentary but rather a music video, a Colbert episode, or a digital mash-up. Each chapter explores a different current´ within the broad range of alternative aesthetics, covering an Aesthetic of the Commons; the Carnivalesque and Festive-revolutionary Practices; Political Modernism and post-Brechtian Performance; the Transmogrification of the Negative, the Hybridization of Documentary and fiction; and the Fractured Chronotope, and the Musicalization of Cinema.

An invaluable text for anyone interested in contemporary politics, aesthetics, and the media, Keywords offers a cornucopia of old and new strategies available for use by critics as well as by artists.
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Details

Additional ISBN/GTIN9781118340592
Product TypeE-book
BindingE-book
FormatEPUB
Format noteDRM Adobe
Publishing date24/07/2015
Edition15001 A. 1. Auflage
Pages328 pages
LanguageEnglish
File size682 Kbytes
Article no.2902458
CatalogsVC
Data source no.833243
Product groupKunst
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Author

Robert Stam is University Professor at New York University. He has authored, co-authored and edited 17 books on film, cultural theory, national cinema, and postcolonial studies. His books include Francois Truffaut and Friends (2006), Literature through Film (2005), Film Theory: An Introduction (2000), and Tropical Multiculturalism (1997). He is co-author, with Ella Shohat, of Race in Translation (2012), Flagging Patriotism (2006), and Unthinking Eurocentrism (1994).

Richard Porton is the author of Film and the Anarchist Imagination (1999) and editor of Dekalog 3: On Film Festivals (2009). One of the editors of Cineaste magazine, his work on film has appeared in Cinema Scope, Sight & Sound, and The Daily Beast. 

Leo Goldsmith is a PhD candidate in the Department of Cinema Studies at New York University. He is the Film Editor of The Brooklyn Rail.