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Postfeminism and Paternity in Contemporary US Film

ISBN/GTIN

Postfeminism and Paternity in Contemporary US Film

Framing Fatherhood

von

E-BookEPUBDRM AdobeE-Book

Verkaufsrang172531inSozialwissenschaften

CHF69.65

E-BookabCHF69.65

In den Warenkorb

Beschreibung

This book analyses representations of fatherhood in popular cinema, and theorizes their relationship to postfeminist culture with a view to arguing that postfeminist fatherhood is the new hegemonic masculinity.

Weitere Beschreibungen

Details

Weitere ISBN/GTIN9781135088903

ProduktartE-Book

EinbandE-Book

FormatEPUB

Format HinweisDRM Adobe

VerlagTaylor & Francis

Erscheinungsdatum15.10.2013

ReiheRoutledge Advances in Film Studies

Seiten204 Seiten

SpracheEnglisch

Dateigrösse1116 Kbytes

Illustrationen9 schwarz-weiße Fotos

Artikel-Nr.2160952

KatalogVC

Datenquelle-Nr.560833

WarengruppeSozialwissenschaften

Weitere Details

Reihe

Transnational Asian Identities in Pan-Pacific Cinemas

Distributing Silent Film Serials

Lesbianism, Cinema, Space

Lesbianism, Cinema, Space

Distributing Silent Film Serials

Transnational Asian Identities in Pan-Pacific Cinemas

Hollywood Melodrama and the New Deal

Korea's Occupied Cinemas, 1893-1948

The Politics of Loss and Trauma in Contemporary Israeli Cinema

Postwar Renoir

Stardom and the Aesthetics of Neorealism

Narratives of Gendered Dissent in South Asian Cinemas

Theorizing Film Acting

The Politics of Age and Disability in Contemporary Spanish Film

The Aesthetics of Antifascist Film

European Civil War Films

Cinema and Inter-American Relations

Transnational Asian Identities in Pan-Pacific Cinemas

Theorizing Film Acting

Korea's Occupied Cinemas, 1893-1948

The Politics of Loss and Trauma in Contemporary Israeli Cinema

Hollywood Melodrama and the New Deal

Postwar Renoir

Stardom and the Aesthetics of Neorealism

Narratives of Gendered Dissent in South Asian Cinemas

The Politics of Age and Disability in Contemporary Spanish Film

The Aesthetics of Antifascist Film

European Civil War Films

Cinema and Inter-American Relations

Cinema and Language Loss

Cinema as Weather

Cinema, Memory, Modernity

Spanish Cinema in the Global Context

Postfeminism and Paternity in Contemporary US Film

Masculinity in the Contemporary Romantic Comedy

Cine-Ethics

Japanese Horror Films and their American Remakes

Crossover Cinema

American and Chinese-Language Cinemas

Postcolonial Film

Landscape and Memory in Post-Fascist Italian Film

Eco-Trauma Cinema

Iranian Cinema in a Global Context

Moralizing Cinema

American Documentary Filmmaking in the Digital Age

The Woman's Film of the 1940s

Eco-Trauma Cinema

Iranian Cinema in a Global Context

American Documentary Filmmaking in the Digital Age

Film and the American Presidency

The Western in the Global South

Hollywood Action Films and Spatial Theory

Asian Cinema and the Use of Space

Mobility and Migration in Film and Moving Image Art

Spectacle in Classical Cinemas

Rashomon Effects

Spaces of the Cinematic Home

The Other in Contemporary Migrant Cinema

India's New Independent Cinema

Early Race Filmmaking in America

Horror Film and Affect

Film Text Analysis

The Camera-Eye Metaphor in Cinema

Über den/die AutorIn

Hannah Hamad is Lecturer in Film Studies at King's College London, UK.

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