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Hybridity in Early Modern Art

ISBN/GTIN

Hybridity in Early Modern Art

von

Elston, AshleyHrsg.Rislow, MadelineHrsg.

BuchGebunden

Verkaufsrang125942inKunst

CHF199.00

E-BookabCHF69.65

In den Warenkorb

Beschreibung

This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time.

Weitere Beschreibungen

Details

ISBN/GTIN978-0-367-36306-2

ProduktartBuch

EinbandGebunden

VerlagTaylor and FrancisRoutledge

ErscheinungslandVereinigtes Königreich

Erscheinungsdatum16.09.2021

Auflage1. A.

ReiheVisual Culture in Early Modernity

Seiten178 Seiten

SpracheEnglisch

MasseBreite 178 mm, Höhe 254 mm

Gewicht625 g

IllustrationenFarb., s/w. Abb.

Artikel-Nr.43664441

KatalogBuchzentrum

Datenquelle-Nr.35879246

WarengruppeKunst

Weitere Details

Reihe

Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni

Domestic Institutional Interiors in Early Modern Europe

The Technology of Salvation and the Art of Geertgen tot Sint Jans

The Late Paintings of Velázquez

Titian, Colonna and the Renaissance Science of Procreation

Flemish and Dutch Artists in Early Modern England

Leone Leoni and the Status of the Artist at the End of the Renaissance

Erotic Cultures of Renaissance Italy

Art, Piety and Destruction in the Christian West, 1500-1700

The Viewer and the Printed Image in Late Medieval Europe

Guercino's Paintings and His Patrons' Politics in Early Modern Italy

Pieter Bruegel the Elder

Siting Federico Barocci and the Renaissance Aesthetic

The Court Art of Friedrich Sustris

Beholding Violence in Medieval and Early Modern Europe

Seventeenth-Century Flemish Garland Paintings

Inganno - The Art of Deception

Sense and the Senses in Early Modern Art and Cultural Practice

Vasari and the Renaissance Print

The Religious Paintings of Hendrick ter Brugghen

Art and the Relic Cult of St. Antoninus in Renaissance Florence

Performativity and Performance in Baroque Rome

The Figurative Works of Chen Hongshou (1599-1652)

Rethinking the High Renaissance

Reframing Albrecht Dürer

Pieter Bruegel and the Culture of the Early Modern Dinner Party

The Early Modern Italian Domestic Interior, 1400-1700

Festive Funerals in Early Modern Italy

Apostolic Iconography and Florentine Confraternities in the Age of Reform

The Spiritual Rococo

Leon Battista Alberti and Nicholas Cusanus

Cuckoldry, Impotence and Adultery in Europe (15th-17th century)

Visual Acuity and the Arts of Communication in Early Modern Germany

Vincenzo Scamozzi and the Chorography of Early Modern Architecture

Death, Torture and the Broken Body in European Art, 1300-1650

The Cult of St Clare of Assisi in Early Modern Italy

Caravaggio

Women, Patronage, and Salvation in Renaissance Florence

Old Women and Art in the Early Modern Italian Domestic Interior

Visual Cultures of Foundling Care in Renaissance Italy

The Cristos yacentes of Gregorio Fernández

Making and Moving Sculpture in Early Modern Italy

The Ethics of Ornament in Early Modern Naples

Faith, Gender and the Senses in Italian Renaissance and Baroque Art

Imaging Stuart Family Politics

Material Bernini

The Enduring Legacy of Venetian Renaissance Art

Early Modern Merchants as Collectors

The Bible and the Printed Image in Early Modern England

Genre Imagery in Early Modern Northern Europe

Prints in Translation, 1450-1750

Renaissance Porticoes and Painted Pergolas

Rubens and the Eloquence of Drawing

Knowledge and Discernment in the Early Modern Arts

Visual Culture and Mathematics in the Early Modern Period

Architectural Rhetoric and the Iconography of Authority in Colonial Mexico

The Procaccini and the Business of Painting in Early Modern Milan

The Cristos yacentes of Gregorio Fernández

Mannerism, Spirituality and Cognition

Vincenzo Scamozzi and the Chorography of Early Modern Architecture

Leon Battista Alberti and Nicholas Cusanus

Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350-1490

Making and Moving Sculpture in Early Modern Italy

Hybridity in Early Modern Art

The Influence of Italian Culture on the Sevillian Golden Age of Painting

A Patron Family Between Renaissance Florence, Rome, and Naples

The Cults of Raphael and Michelangelo

Art, Patronage, and Nepotism in Early Modern Rome

Artistic Circulation between Early Modern Spain and Italy

Women´s Patronage and Gendered Cultural Networks in Early Modern Europe

Mannerism, Spirituality and Cognition

Hybridity in Early Modern Art

Portraiture, Gender, and Power in Sixteenth-Century Art

Santi Gucci Fiorentino, Artist and Entrepreneur in Early Modern Poland

Polychrome Art in the Early Modern World

Art, Patronage, and Nepotism in Early Modern Rome

The Influence of Italian Culture on the Sevillian Golden Age of Painting

The Procaccini and the Business of Painting in Early Modern Milan

The Cults of Raphael and Michelangelo

Architectural Rhetoric and the Iconography of Authority in Colonial Mexico

Guercino's Paintings and His Patrons' Politics in Early Modern Italy

A Patron Family Between Renaissance Florence, Rome, and Naples

Art, Politics and Patronage in Renaissance Castile

Über den/die AutorIn

Elston, AshleyHrsg.Rislow, MadelineHrsg.

Ashley Elston is Associate Professor of Art History at Berea College.

Madeline Rislow is Associate Professor and Director of Art History, School of Fine Arts, Missouri Western State University.