044 209 91 25 079 869 90 44
Notepad
The notepad is empty.
The basket is empty.
Free shipping possible
Free shipping possible
Please wait - the print view of the page is being prepared.
The print dialogue opens as soon as the page has been completely loaded.
If the print preview is incomplete, please close it and select "Print again".

Wordly Wise

The Semiotics of Discourse in Dante¿s 'Commedia
BookHardcover
Ranking79187inSprachen
CHF123.00

Description

In Wordly Wise: The Semiotics of Discourse in Dante's Commedia, Raffaele De Benedictis proposes a new critical method in the study of the Divine Comedy and Dante's minor works. It systematically and comprehensively addresses the discursive aspect of Dante's works and focuses mainly on the reader, who, along with the author and the text, contributes to the making of discursive paths and discourse-generating functions through the act of reading. This work allows the reader to become acquainted with how meaning is generated and whether it is granted legitimacy in the text. Also, in a system of signification, sign function and sign production are not limited to the properties of the mind but are the result of working interactively with the properties of discourse, which provide directionality for the reader's enunciation(s) in action.
More descriptions

Details

ISBN/GTIN978-1-4331-1622-3
Product TypeBook
BindingHardcover
PublisherPeter Lang
Publication countryGermany
Publishing date28/12/2011
Series no.84
Pages272 pages
LanguageEnglish
SizeWidth 155 mm, Height 231 mm, Thickness 19 mm
Weight534 g
Article no.17668767
Publisher's article no.311622
CatalogsBuchzentrum
Data source no.19044206
Product groupSprachen
More details

Series

Author

Raffaele De Benedictis holds a PhD in Italian from the University of Toronto and is Assistant Professor in the Department of Classical and Modern Languages, Literatures, and Cultures at Wayne State University in Detroit. He teaches courses on Dante, literary criticism, and Italian culture. He is the author of Ordine e struttura musicale nella Divina Commedia (2000) and of various articles on Dante, semiotics, and Italian culture.